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دعواتكم لزميلنا المفكر د.الباقر العفيف بالشفاء العاجل
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 Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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June 17th, 2008
For Immediate Release:
SUDANESE MUSIC & DANCE FESTIVAL 2008
ARTISTS TRANSCEND THE POLITICS OF A TROUBLED AFRICAN NATION
This summer, an unprecedented gathering of musicians from the East African nation of Sudan will come together in Chicago & Detroit to accomplish something politicians, war lords and diplomats have thus far failed to do: Unify Sudan!
ABDEL GADIR SALIM, YOUSIF EL MOSLEY, OMER IHSAS, AL BALABIL, OMAR BANAGA, ALI ALSIGAID, JOHN KUDUSAY, DYNAMQ, MOHAMED ADAROAB & the Nile Music & Dance Orchestra of Sudan plus special celebrity guests including former NBA star MANUTE BOL
Musicians Unite for Sudan
Sudan, Africa’s largest country, is better known for its wars and civil strife than its spectacularly rich cultural traditions. This summer, Sudan’s greatest musicians and dancers are out to change that. The Sudanese Music and Dance Festival is a summit of superb singers, dancers and instrumentalists who believe that by bringing together their diverse arts, they can point the way to a peaceful and productive future for Sudan. In its second year, this festival will present in Chicago and Detroit a magnificent tableau of top-flight performers representing many regions of this unique African nation. These artists’ experience and virtuosity is matched by their passion, for their performances are literally aimed at changing the course of history.
Dawn Elder Management, the International Sudanese Arts and Music Institute (ISAMI), and the Sudanese Information Center of Los Angeles are co-sponsoring the 2008 Sudanese Music and Dance Festival. Intent on remaining above Sudan’s fractious politics, festival organizers have specifically avoided the participation of any Sudanese government bodies, or any opposition political entities. ISAMI, an independent organization of Sudanese heritage artists, sets the tone with a singular focus on the development and welfare of Sudanese musicians and dancers around the world. Featured artists in the 2008 festival include veteran singers Abdel Gadir Salim, Abu Araki Al Bakheit, Omar Banaga Amir, and Ali Alsigaid. The legendary, female vocal group Al Balabil represents the ancient, northern kingdom of Nubia; Omer Ihas represents Darfur; the rapper Dynamq and also popular singer/guitarist/songwriter John Kudusay represent southern Sudan; Mohammad Adaroab represents the eastern region; and Rasha represents progressive trends in the Sudanese diaspora in Europe. All the performances will be accompanied by The Nile Music and Dance Orchestra, an amalgam of top-flight players from throughout Sudan’s worldwide diaspora, all under the direction of one of Sudan’s most established composers and producers, Yousif El Mosley. As a crowd-pleasing bonus, NBA Basketball star and social activist Manute Bol—who was born in Sudan—will share the stage with these extraordinary artists in their Chicago show.
Sudan’s Proud but Troubled Past
Sudan has the largest landmass of any African country as well as one of the most diverse populations, with some 300 ethnic groups living in deserts, mountains, and along the shores of the Nile River. In ancient times, the north was the Kingdom of Nubia, with close ties to Egypt and the Arab world, and the south the territory of African agricultural groups, such as the Dinka, Shilluk, Nuer, and Azande. The south was physically cut off from Nubia by the nearly impassable swamplands of the White Nile. These two distant worlds became politically joined when Egypt annexed Sudan in the 19th century. When Britain then occupied Egypt in 1898, it claimed Sudan without so much as a fight. The trouble was, neither occupier ever sought to forge an overarching, Sudanese identity. Arguably, until its independence in 1956, Sudan was a single nation in name only.
Given this history, fair and effective governance was out of reach for the early leaders of independent Sudan. A series of military and civilian governments rose and fell in quick succession during the first thirty years. Power tended to center in the Muslim north, and after the government imposed Sharia law in 1989, people in the Christian south felt radically disenfranchised and victimized. The Islamist government that has ruled since 1989 has been stable, but harsh, dividing the country further through a strategy of unequal development that has neglected many regions, notably the south, and the western province of Darfur. These policies have only heightened underlying ethnic and religious tensions. After much strife and conflict, the north and south established a fragile peace accord in 2005. Meanwhile, new fighting has surged in the West, in Darfur, and the world’s attention has focused there.
The artists participating in the Sudanese Music and Dance Festival believe that these conflicts must be understood as pieces in a larger puzzle, the puzzle that is Sudan. Today, with the North-South Peace Accord as a model to be applied in Darfur and elsewhere, many Sudanese sense an opportunity to at last build a nation. Much depends on an ability to lay aside the divisions of the past and begin an era of healing and unity. These artists intend to show the way.
A Summit of Artistic Legends
The Sudanese Music and Dance Festival had its inception in 2007 at New York’s Central Park Summerstage. This one-time event was the largest and most representative gathering of major Sudanese talent ever assembled on an international stage, and the 2008 events will build on that success and surpass it. The festival is produced by ISAMI, in collaboration with a veteran of daring world music initiatives in the United States, Dawn Elder. Elder’s passion for Sudanese music goes back to her work with Sudan’s greatest living singer, Mohammed Wardi. Wardi no longer leaves his homeland, but some of the musicians who backed him and other Sudanese legends will perform in the Nile Music and Dance Orchestra, the musical hub of this historic, Sudanese showcase. The orchestra combines traditional Sudanese percussion with instruments from Arab tradition (oud, violins, and percussion) and also western music (brass section, electric guitar, keyboards). As such, the inclusive, progressive spirit of Wardi and his seminal generation will pervade the performance.
Dr Mutwakil Mahmoud—a festival sponsor, patron of Sudanese arts, and advisor to ISAMI—says that everyone involved in this festival shares one overriding motivation, “to work for a united, peaceful, democratic, and just Sudan.” These words carry weight coming from a man who has dedicated his life to his country. Dr. Mahmoud’s family has deep roots in Sudan’s movement for democracy. After studying medicine in Chicago, he completed his medical degree in Khartoum, and has since worked tirelessly for the health, well-being, and success of Sudanese musicians. Just one example of Dr. Mahmoud’s selfless generosity: In 1998, he brought Mohammed Wardi to the United States for what turned out to be life-saving treatment. ISAMI’s vision is an all-inclusive one, based on the belief that the health of musicians reflects and even helps determine the health of the nation as a whole. Dr. Mahmoud says, “It’s time that these senseless wars stopped, and that people sat down together and solved their problems once and for all.”
The artists gathering this summer share this hope because they have lived the diverse and troubled history of Sudanese music. During the 1960s and 70s—often called “the golden era” of Sudanese music—fascinating musical hybrids of African, Arab, and European music flourished in Sudanese cities, especially in the cities of Khartoum and Omdurman, home of the national radio and television station, but also Juba in the south and elsewhere.
Among the most remarkable golden era acts to appear in this year’s festival are the three singing sisters known as Al Balabil. In the early ‘70s, this trio of talented, musically trained teenagers became Khartoum’s answer to the Supremes, and they revolutionized social and artistic possibilities for Sudanese women. With the rise of Islamism after 1989, the doors Al Balabil opened for women began to close. The three sisters married, then separated, two leaving Sudan and one remaining in the country. For the past 22 years, circumstances in Sudan have made it virtually impossible for the three to perform together, so their reunion this summer will be historic, especially for young Sudanese expatriates who have grown up knowing of this legendary group, but have never seen them perform.
Abdel Gadir Salim introduced the traditions of Kordofan in the west, and became one of the country’s most beloved singers and bandleaders. Like Mohammed Wardi before him, Salim brought influences from international jazz and pop as well—electric guitars, keyboards, and saxophone, side by side with the oud, violins, and traditional percussion. Omer Ihsas charted a similar course bringing in the traditions of his native Darfur, which borders Libya, Chad, and Central African Republic and is home to a dazzling array of local music and dance. Ihsas modernized these styles and made them accessible to all Sudanese. A champion of eastern Sudanese music, Mohammad Adaroab, will also be present the music of the Bija and other eastern tribes, performed on oud, tambour (hand drum) and rababa (bowed lute).
The musical director for the Sudanese Music and Dance Festival, Yousif El Moseley, moved from singing traditional songs with percussion to composing for and performing with wedding bands in 1970s Khartoum. As a star student, and then an instructor, at the Institute of Drama and Music, El Mosley earned the chance to travel to Cairo, where he attained a Masters degree in composition. When he returned to Khartoum in 1989 modernity was in the air. The amazing Al Balabil had hit the scene with their electrifying performances of familiar Sudanese styles, but also, the distinct music and sensibility of their ancestral homeland, Nubia. Music and social life were advancing hand in hand as Sudan broached a new era.
All of this progress was cut short after the 1989 coup. Life became extremely difficult for artists. There was an 11PM curfew, and popular figures like El Mosley and Abu Araki faced pressure to sing for the regime. Both refused and suffered the consequences. Abu Araki tried to retire rather than cooperate, but his fans wouldn’t let him stop, and he was harassed and threatened often as government minders scanned even his love songs for subversive messages. El Mosley returned to Cairo, where he became a successful producer for Hassad Productions, the biggest production house for Sudanese music ever. Between 1992-96, El Mosley recorded 45 albums featuring the top Sudanese singers of the day. From Cairo, Yousif El Mosley moved to the United States in 1996, and he now teaches in Monterrey, California.
Among the most socially engaged groups of the 90s was Igd al Djilad, featuring composer and singer Omar Banaga Amir, another participant in the 2008 festival. Igd al Djilad’s early songs focused on the suffering of ordinary people under the regime, and the group incurred th government’s wrath on many occasions. There are horrifying stories of music and musicians in Sudan since 1989. Irreplaceable manuscripts and recordings appear to have been lost or destroyed. Musicians have been beaten, even murdered, and over 200 of the most beloved performance artists have, like El Mosley, Omar Banaga, and Mohammed Mergani, gone into exile. Some Sudanese artists, like the young singer/songwriter Rasha Sheikh Aldein, have moved to Europe. Rasha has made a promising career interpreting Sudanese tradition in her own ways, bringing in influences from jazz, pop, and world music, and delivering powerful social commentary.
The music of southern Sudan has had a particularly hard time developing and reaching the world. In the past, southern Sudanese music, which takes influence from the neighboring musical powerhouse in Congo, was rarely well recorded or disseminated. But in recent years, young rappers have brought new attention to the region with international careers based abroad. Rapper Emmanuel Jal’s collaboration with Abdel Gadir Salim, Ceasefire (2005) was a landmark in this developing story. The Sudanese Festival features the south’s best known singer/guitarists John Kudusay, leader of the group Aweil Jazz, and as well as a young rapper who is making waves around the world and gaining star status back home. Dynamq, known by fans as “Sudanese Child,” first came to prominence as a singer and soccer player among the Sudanese refugee community in Kenya. In recent years, he has shared stages with top names in international reggae and hip-hop. His appearance on stage with great musicians from the north will be another historic feature of this summer’s performances. The Chicago concert will also make history for the inclusion of the southern Sudanese expatriate best known to Americans, basketball star Manute Bol.
Although the artists in the Sudanese Festival of Music and Dance come from different locations, ethnic backgrounds, generations, and experience, they share one vision: to see their country peaceful and united. Their presence on one stage will not only be an unprecedented summit of Sudan’s greatest living musical talent, and an emotionally charged reunion for the participants, but most of all, a powerful symbol of what could be possible back home. This will be a true life example of musicians pointing the way to a better world.
CHICAGO EVENT INFO: THE CITY OF CHICAGO DEPARTMENT OF CULTURAL AFFAIRS PRESENTS;
DATE: THURSDAY, JULY 10TH
WHERE: JAY PRITZER PAVILLION, MILLENNIUM PARK, CHICAGO, IL
WHEN: 6:30 pm
For more information, call 312.742.1168 or visit www.millenniumpark.org.
Media Contact: Kennon Brown t 312.744.8948, [email protected]
DETROIT EVENT INFO: CONCERT OF COLORS 16TH DIVERSITY FESTIVAL PRESENTS
DATE: SATURDAY, JULY 19TH
WHERE: MAX M. FISHER MUSIC CENTER, ORCHESTRA HALL, DETROIT, MI
WHEN: 6pm -7:30 PM
Venue: 313-624-0215 or visit www.concertofcolors.com
Media contact: Kim Silarski: 313-624-0206 [email protected]
www.myspace.com/sudanesemusicdancefestival
For more information regarding the Sudanese Music & Dance Festival events,
Contact: Gillian Zali at 310-291-7909, [email protected].
(عدل بواسطة Elmosley on 06-27-2008, 10:58 PM)
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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| Quote: to accomplish something politicians, war lords and diplomats have thus far failed to do: Unify Sudan |
الاخ الموصلي.
لقد سألتكم من قبل عن هذا الكوت في الاحتفال الماضي ولكن لم يتكرم أي أحد منك من الرد على تسأولي.
ودعني أكرر نفس التسائل مرة أخرى. ما هو المقصود بهذا الكود؟ لأنكم بكل صراحة وصفتم الثوار في السودان" بلوردات الحرب" وتجاهلتم الحكومة التي خربت وأسائة الى سمعة السودان كبلد وعزبت وقتلت وشردت عدد كبير من السودانين، فلماذا لم تزكروها بكل صراحة؟ كلمة "دبلوماسية" كلمة خجولة ويمكن تفسيرها بطرق مختلفة.
وأنا في أنتظار التوضيح. ولدي كثير من الاسئلة القادمة.
ولي عودة.
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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WEDNESDAY, July 9, 2008
Public Program
Sudan: harmony beneath the headlines
The struggles of Sudan are apparent through the media and photo coverage, but underneath the unrest is a nation of inspiring culture, countryside, and people. This special evening event, hosted by The Chicago Department of Cultural Affairs, The Art Institute of Chicago, and The Chicago Council on Global Affairs, highlights the music and the community that make Sudan such a compelling and beautiful country. The program will feature a panel of renowned experts on Sudanese society and politics, including an introduction by former NBA star Manute Bol, a native of Turalei, Sudan. As an added bonus, the evening will showcase a performance by Sudanese musicians Abdel Gadir Salim (Dalang) Omer Ihsas (Nayla), Al Balabil (Hlfa), and John Kudusay (Juba) directed by of one of Sudan’s most established composers and producers, Ustaz Yousif El Mosley (Khartoum).
Panelists include:
Mutwakil Mahmoud M.D., president of the Sudanese Information Center of Los Angeles
Ustaz Yousif El Mosley, composer, producer, and orchestral conductor
Hadia Talsam, lead singer of Al Balabil (Hummingbirds)
Malual Manyol Awak, president of the Sudanese Community Association of Illinois =
Mohamed Abdelrhman, president of the Darfur Association of Illinois
Additional sponsors:
ISAMI - International Sudanese Music & Arts Institute
Dawn Elder Management & World Entertainment
The Sudanese Information Center of Los Angeles
The Lloyd A. Fry Foundation
5:30 p.m. – Doors open
6:00 p.m. – Panel discussion followed by musical performance
7:30 p.m. – Exclusive preview of the new exhibit Benin – Kings and Rituals: Court Arts from Nigeria
The Art Institute of Chicago, Rubloff Auditorium, 230 S. Columbus Drive (at Monroe Street)
312.443.3680
FREE ADMISSION – NO PRE-REGISTRATION REQUIRED
Learn more online at thechicagocouncil.org
332 South Michigan, Suite 1100 ç Chicago, Illinois 60604-4416 ç T 312.726.3860 ç F 312.821.7555
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Omer Abdalla)
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الأستاذ الموصلي ....
في الخرطوم الآن معسكرات تعذيب تتم بحق الدارفوريين ...
و أنت تقيم حفلا ليس تضامنا مع الضحايا ... بل للرقص و الطرب لتعكس وجه السودان المشرق الذي برأيك قد سوده ( لوردات الحرب ) و تقصد به كل ثائر حمل السلاح
أبيي أزيلت من الوجود و قتل فيها اطفال و مدنيين
و أنت تقيم حفلا ليس تضامنا مع الضحايا ... بل للرقص و الطرب لتعكس وجه السودان المشرق الذي برأيك قد سوده ( لوردات الحرب ) و تقصد به كل ثائر حمل السلاح
نافع علي نافع يقول أنه سيواصل الحرب في دارفور ( أي قتل أهل دارفور ) و لا يهمه و إن واصل العالم صراخه
و أنت تقيم حفلا ليس تضامنا مع الضحايا ... بل للرقص و الطرب لتعكس وجه السودان المشرق الذي برأيك قد سوده ( لوردات الحرب ) و تقصد به كل ثائر حمل السلاح
متي تفيقوا يا من تزعمون ( فنانو السودان ) الي أنكم أصبحتم مثالا للفنان اللامنتمي لا يري أمريكا إلا دولاراتها و بلادكم تحترق ؟؟
متي تخرجون رؤوسكم من رمال الكذب و الهروب من أن السودان أصبح عنةان الدولة الفاشلة ؟؟؟
سيأتي كثير من الأمريكان و يسألونكم عن الأحوال بدارفور .... هل ستقولون لهم أن الحرب قد إنتهت و الإبادة أكذوبة الغرب و الكل مبسوط و حر و طليق بالخرطوم ؟؟؟
أنتم أكبر فضيحة بإسم الفن ....
نتمني أن يأتي أبناء دارفور بمنطقة شيكاغو يحملون لافتات : أوقفوا الإبادة أولا بدارفور ثم ... غنوا !!
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 Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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للرجــل ان يعكـس صــوره بلاده كمـا يفهــم ويحلم و يريـد ..
والســاحه واسعــه لكل اجتهـــاد مرحبــا بالخطــوات العمــل ..
توجيه الجهــود لا يكـون لعرقله اعمـــال الاخرين !.
اعــزائي .. وجه النظــر من الشط الاخر وصلــت ..
دعو الرجــل وبقيـه المبدعين مع وعــد فن ثقافه..
وســودانا فوق..
_______________________________________________
ليتهم يعلمون ان عمر اللحظـه في بعـدك يا خـرطـوم سنين طـوال
د شهـاب الفاتح ـ كـوالالمبور
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: شهاب الفاتح عثمان)
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Quote: حاصل على القيد الصحفي مجلس الصحافة و المطبوعات 2001م.
اعمل على التخصص بطب و جراحة الانف و الاذن و الحنجرة بجامعة الملايا كوالالمبور ماليزيا .
دبلوم اللغة الروسية موسكو 1992. |
Quote: ليتهم يعلمون ان عمر اللحظـه في بعـدك يا خـرطـوم سنين طـوال
د شهـاب الفاتح ـ كـوالالمبور |
ياعاشق الخرطوم ماذا دهاك في البعد عنها!!!!
بعدين ياديكتور اطفال السودان احوج لخدماتك قال عاشق الخرطوم قال!!!
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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Quote: للرجــل ان يعكـس صــوره بلاده كمـا يفهــم ويحلم و يريـد ..
والســاحه واسعــه لكل اجتهـــاد مرحبــا بالخطــوات العمــل ..
توجيه الجهــود لا يكـون لعرقله اعمـــال الاخرين !.
اعــزائي .. وجه النظــر من الشط الاخر وصلــت ..
دعو الرجــل وبقيـه المبدعين مع وعــد فن ثقافه..
وســودانا فوق..
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في ناس لا بعجبم العجب ولا صيام رجب (على قول كبارنا)
وكذلك إذا خالفتهم الراي فأنت وأنت
واصل واصل وتقدم يا موصلي يا طينة الإبداع
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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استاذنا الفنان الموصلى نتمنى لكم عمل موفق وجامع لاهل السودان
لا شئى يجمعنا بعد التفرقة غير الفن هو القادر على جمع الصفوف
وتكسير الحواجز والسمو بالنفوس
نعرفك قامة واستقامة ومعارض جسور سمعناك نغما وعرفناك من خلال اعمالك,
ومواقفك غير مجهولة الا لفاقد البصيرة
غنو للسودان شرقا وغربا وشمالا وجنوبا نعم نحن محتاجون ليعرف العالم من نحن
ولا يعرف البلد الا من خلال تراثة وفنه نحن نعرف مقدراتكم على توصيل صوتنا
للخارج نتمنى لكم التوفيق .
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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الاستاذ الموصلي تحياتي وبالتوفيق .. وكنت انصت قبل قليل للبلابل في حوار باذاعة البيت السوداني من محطة البلابل باركويت ـ كما قال المذيع ـ واشارت احداهن الي هذا الحفل كما تحدثت عن تجربتكم في "شريط الاصدقاء" مع الكابلي في القاهرة .. الشريط الذي اسماه الكابلي بـ " الكابلي والمجموعة " ( أمطرت لؤلؤا)وغير ذلك من اشراقاتك في المهاجر .. الي الامام يا رجل وارجو ان تمدني برقم تلفونك عبر المسنجر أو ايميلي :[email protected]
واظنني قرأت ان بيكاسو " الفنان الفنان " مرة شوهد وهو يرسم "اعدام احدهم " المقصلة والجموع من حولها ، والجلاد والخكام ..الخ ،مباشرة فيما كان الناس في حالة مريعةمن الحزن والفجيعة .. وقرأت تعليقا علي ذلك : بقيت لوحة بيكاسو ولا احد يستطيع ان يري الان كم حزن اولئك الا بالنظر الي اللوحة ذاتها ..
انه الفن ..
مع تقديري لمشاعر الجميع !
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: El hadi A.bashir)
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Dear El-hadi A-Bashir
Kindly
If you read the poster you wouldn't have asked this question. Any how
Sudanese government has nothing to do with something that Lost Boys and City of Chicago are involved in.
Think about it carefully
Thanks a lot
Quote: My brother Al-mousaly
Who finance this activities,it is a hill of money
isn't ?
Did you know one of your participant has song at the festival of Popular Defence forces
How much money, are you expecting to generate
?
Thanks |
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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الزملاء الأعزاء wesamm ومحمد سليمان
عاطر التحايا
من حقكم الا تروا في السودان الا هذه الصورة القميئة التي عكستها سياسات الانقاذ الخرقاء من قتل وسحل وحرق ودماء ، في كافة أنحاء السودان ، ومن حق الآخرين أن يروا للسودان وجها آخر ، لا تمثله الانقاذ ، بل تمثله قيم الشعب السوداني المغلوب على أمره من أصالة وتراث وفن ومن محبة وسلام .. من حقكم ان تناضلوا بالصورة التي ترونها أنسب ولكن من حق الآخرين أيضا أن يناضلوا بطريقتهم .. الأستاذ يوسف الموصلي معروف ومواقفه من النظام الحاكم وخروقاته معروفة فهو من الفنانين القلائل الذين جاهروا بمعارضتهم للانقاذ وتحملوا مسئولية ذلك وتبعاته من اغتراب من الوطن ومن بعد من وسائل الاتصال بالجماهير التي تملكتها الانقاذ ، فأرجو الا نحاول تمويه وتشويه مواقفه ، وتصويره على انه نصير للنظام او يعمل على حساب سفارته ..
اعتقد أن التعسف في المواقف ومحاولة فرض الرؤية الآحادية على الآخرين يضر بالقضايا التي تتبنوها ولافرق بين دكتاتور حاكم ودكتاتور معارض ..
عمر
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: Elmosley)
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استاذنا الجميل واخى العزيز جدا الموصلى
سلام واشواق حارة
دائما معودنا على الجميل
ودائما مشرفنا فى كل المحافل ورافع راسنا
ودائما واهب نفس من اجل الجمال والحب والسلام
ربى يديك قدر نيتك يا ابيض
نتمنى ليكم التوفيق ان شاء الله فى مهرجانكم العامر دوما بكم
التحية عبرك لكل الكوكبة الراقية
والتحية للاسرة
ولك تحياتنا جميعا
اسماء الجنيد / مسقط
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Re: مهرجان السودان للموسيقي والرقص لعام 2008 بشيكاغو 10 يوليو (Re: لؤى)
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الأخ الموصلى و ضيوفه
هذا الإحتفال sponsored by
منظمتين للإخوة الجنوبيين .... و منظمتين أخريتيين
ال lost boys of Sudan
و
Sudanese Community Association of Illinois
و هذه الإخيرة يبدو من موقعهم أنها تمثل الإخوة الجنوبيين .- من موقعهم على النت.(الذى يقدر عدد السودانيين بالولاية ب 400 فقط .... بينما العدد فى شيكاغو فقط يزيد عن الألف ).
لم أسمع بها من قبل – رغم أننى مقيم فى منطقة شيكاغو لأكثر من عشر سنوات...
......
أعتقد أن ال city of Chicago
هى من ستتكفل بالتكاليف ... و هذا إعتقاد فقط لأن مدينة شيكاغو كثيرا ما تبنت حفلات موسيقة تعكس الثقافات المختلفة .. و كثيرا ما حضر فى السابق الفنان الراحل حمزة علاءالدين بدعوة من مدينة شيكاغو
لا أعتقد أن الأستاذ الموصلى أو المنظمتين الجنوبيتين يعملان لمصلحة النظام ....
......
و نتمنى أن نرى حفلا مميزا يعكس ثقافة الشعب السودانى ... و واضح من إختيار الفنانيين أنه روعى فيه التنوع قدر المستطاع ...
....
و نحن فى إنتظار الحفل ...
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Elmosley
mohmed khalail
wesamm
Deng
شهاب الفاتح عثمان
Omer Abdalla
Mohamed Suleiman
سيف بخيت موسي
Ashraf el-Halabi
عادل التجانى
Alsa7afa_30
عصام ابو القاسم
El hadi A.bashir
عماد الشبلي
لؤى
شول اشوانق دينق
ABUKHALID
أسامة الفضل
Amin Elsayed
Osman Musa
Mutwakil Mahmoud
Mohamad Shamseldin
طارق زروق
فيس بوك
تويتر
انستقرام
يوتيوب
بنتيريست