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Quote: The next phrase of the second theme employs a series of arpeggios instead of the scaler passages found in the first theme. During this arpeggiated section, a series of circle progressions occur which moves completely through the circle of fifths and returns to the starting point of G major. This full circle progression adds a natural unfolding to the music by following the most common progression and adds a sense of a drive to the cadence of the entire first section of the composition. The exposition is completed with a derivation of the opening triadic theme in A minor, the relative minor key of C major. This closing statement is embellished with grace notes and, after the first measure, deviates from the original melodic material