الدوقون ... البوزو ... غرائب و عجائب

Quote: The Dogon are an ethnic group located mainly in the administrative districts of Bandiagara and Douentza in Mali, West Africa. This area is composed of three distinct topographical regions: the plain, the cliffs, and the plateau. Within these regions the Dogon population of about 300,000 is most heavily concentrated along a 200 kilometer (125 mile) stretch of escarpment called the Cliffs of Bandiagara. These sandstone cliffs run from southwest to northeast, roughly parallel to the Niger River, and attain heights up to 600 meters (2000 feet). The cliffs provide a spectacular physical setting for Dogon villages built on the sides of the escarpment. There are approximately 700 Dogon villages, most with fewer than 500 inhabitants. A Dogon family compound in the village of Pegue is seen from the top of the Bandiagara escarpment. During the hot season, the Dogon sleep on the roofs of their earthen homes. Abdule Koyo, a Dogon man, stands on the top of the Bandiagara escarpment that overlooks the Bongo plains. As the rocky land around the Bandiagara has become less and less fertile, the Dogon have moved farther from the cliffs. Millet cultivation is more productive in the fertile Bongo plains. Without any equipment but his own muscle and expertise, a Dogon man climbs hundreds of meters above the ground. Ireli villagers use ropes made of baobab bark to climb the Bandiagara cliffs in search of pigeon guano and Tellem artifacts. The pigeon guano is used as fertilizer and can be sold at the market for $4 per sack. The Tellem artifacts, such as brass statues and wooden headrests, bring high prices from Western art collectors. The precise origin of the Dogon, like those of many other ancient cultures, is undetermined. Their civilization emerged, in much the same manner as ancient Sumer, both sharing tales of their creation by gods who came from the sky in space ships, who allegedly will return one day. The early histories are informed by oral traditions that differ according to the Dogon clan being consulted and archaeological excavation much more of which needs to be conducted. Because of these inexact and incomplete sources, there are a number of different versions of the Dogon's origin myths as well as differing accounts of how they got from their ancestral homelands to the Bandiagara region. The people call themselves 'Dogon' or 'Dogom', but in the older literature they are most often called 'Habe', a Fulbe word meaning 'stranger' or 'pagan'. Certain theories suggest the tribe to be of ancient Egyptian descent - the Dogon next migrating to the region now called Libya, then moving on to somewhere in the regions of Guinea or Mauritania. Around 1490 AD, fleeing invaders and/or drought, they migrated to the Bandiagara cliffs of central Mali. Carbon-14 dating techniques used on excavated remains found in the cliffs indicate that there were inhabitants in the region before the arrival of the Dogon. They were the Toloy culture of the 3rd to 2nd centuries BC, and the Tellem culture of the 11th to 15th centuries AD. The religious beliefs of the Dogon are enormously complex and knowledge of them varies greatly within Dogon society. Dogon religion is defined primarily through the worship of the ancestors and the spirits whom they encountered as they slowly migrated from their obscure ancestral homelands to the Bandiagara cliffs. They were called the 'Nommo' - [see below and on the file Amphibious Gods.] There are three principal cults among the Dogon; the Awa, Lebe and Binu. The Awa is a cult of the dead, whose purpose is to reorder the spiritual forces disturbed by the death of Nommo, a mythological ancestor of great importance to the Dogon. Members of the Awa cult dance with ornate carved and painted masks during both funeral and death anniversary ceremonies. There are 78 different types of ritual masks among the Dogon and their iconographic messages go beyond the aesthetic, into the realm of religion and philosophy. The primary purpose of Awa dance ceremonies is to lead souls of the deceased to their final resting place in the family altars and to consecrate their passage to the ranks of the ancestors. The cult of Lebe, the Earth God, is primarily concerned with the agricultural cycle and its chief priest is called a Hogon. All Dogon villages have a Lebe shrine whose altars have bits of earth incorporated into them to encourage the continued fertility of the land. According to Dogon beliefs, the god Lebe visits the hogons every night in the form of a serpent and licks their skins in order to purify them and infuse them with life force. The hogons are responsible for guarding the purity of the soil and therefore officiate at many agricultural ceremonies. [Serpent is a ####phor for DNA] In the village of Sangha, onion bulbs are smashed and shaped into balls that are dried in the sun. The onion balls are trucked as far away as the Ivory Coast to be sold as an ingredient for sauces. Introduced by the French in the 1930s, onions are one of the Dogon's only cash crop. Millet Harvest - Dogon women pound millet in the village of Kani Kombal. Millet is of vital importance to the Dogon. They sow millet in June and July, after the rains begin. The millet is harvested in October. Nowadays, the Dogon blacksmiths forge mainly scrap ####l recuperated from old railway lines or car wrecks. So, little by little, the long process of iron ore reduction, which demands a perfect knowledge of fire and its temperatures, has been abandoned. One of the last smelting was done in Mali, in 1995, by the Dogon blacksmiths. The event became the subject of a film which was entitled 'Inagina, The Last House of Iron'. Eleven blacksmiths, who still hold the secrets of this ancestral activity, agreed to perform a last smelt. They gathered to invoke the spirits. They sunk a mine shaft, made charcoal, and built a furnace with earth and lumps of slag. The last furnace - or Inagina -meaning literally the 'house of iron' gave birth to 69 kilos of iron of excellent quality. With this, the blacksmiths forged traditional tools intended for agriculture, the making of weapons, and jewelry for the Dogon people. Youdiou Dances - During the Dama celebration, Youdiou villagers circle around two stilt dancers. The dance and costumes imitate the tingetange, a long-legged water bird. The dancers execute difficult steps while teetering high above the crowd. The cult of Binu is a totemic practice and it has complex associations with the Dogon's sacred places used for ancestor worship, spirit communication and agricultural sacrifices. Marcel Griaule and his colleagues came to believe that all the major Dogon sacred sites were related to episodes in the Dogon myth of the creation of the world, in particular to a deity named Nommo. Binu shrines house spirits of mythic ancestors who lived in the legendary era before the appearance of death among mankind. Binu spirits often make themselves known to their descendants in the form of an animal that interceded on behalf of the clan during its founding or migration, thus becoming the clan's totem. The priests of each Binu maintain the sanctuaries whose facades are often painted with graphic signs and mystic symbols. Sacrifices of blood and millet porridge the primary crop of the Dogon are made at the Binu shrines at sowing time and whenever the intercession of the immortal ancestor is desired. Through such rituals, the Dogon believe that the benevolent force of the ancestor is transmitted to them. Kananga masks contain geometric patterns. These masks represent the first human beings. The Dogon believe that the Dama dance creates a bridge into the supernatural world. Without the Dama dance, the dead cannot cross over into peace. Their self-defense comes from their social solidarity which is based on a complex combination of philosophic and religious dogmas, the fundamental law being the worship of ancestors. Ritual masks and corpses are used for ceremonies and are kept in caves. The Dogon are both Muslims and Animists. A 'Togu Na' - 'House of Words' - stands in every Dogon village and marks the male social center. The low ceiling, supported by carved or sculptured posts, prevents over zealous discussions from escalating into fights. Symbolic meaning surrounds the Togu Na. On the Gondo Plain, Togu Na pillars are carved out of Kile wood and often express themes of fertility and procreation. Many of the carvings are of women's breasts, for as a Dogon proverb says, "The breast is second only to God." Unfortunately, collectors have stolen some of the more intricately carved pillars, forcing village elders to deface their Togu Na posts by chopping off part of the sculpted wood. This mutilation of the sculpted pillars assures their safety. Amaguime Dolu, a diviner in the village of Bongo, performs a ritual. He derives meaning and makes predictions from grids and symbols in the sand. At dusk, he draws a questions in the sand for the sacred fox to answer. The Dogon people believe the fox has supernatural powers. The Dogon may ask questions such as: "Does the man I love also love me?" or "Should I take the job offer at the mission church?" In the morning, the diviner will read the fox prints on the sand and make interpretations. The fox is sure to come because offerings of millet, milk and peanuts are made to this sacred animal. The Washington Post

(عدل بواسطة احمد حامد صالح on 04-26-2010, 09:26 PM)