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Quote: The "Tera-neter" tile is predynastic being found by British Egyptologist W.M. Flinders Petrie (1853-1942) in the early temple at Abydos underneath the dynastic temple. The figure is on a green glazed faience. Petrie, famously known as "The Father of Pre-history". Petrie, excavations at Nagada and Ballas in Upper Egypt nearly 100 years ago unearth nearly 2200 ancient graves. He wrote over a thousand books, articles and reviews reporting on his excavations and his finds. Petrie, The Making of Egypt, 1939 Page 68 "The Aunu People. Besides these types, belonging to the north and east, There is the aboriginal race of the Anu, or Aunu, people (written with three pillars), who became a part of the historic inhabitants. The subject ramifies too doubtfully if we include all single-pillar names, but looking for the Aunu, written with the three pillars, we find that they occupied Southern Egypt and Nubia, and the name is also applied in Sinai and Libya. As to the Southern Egyptians, we have the most essential document, a portrait of a chief, Tera-neter, roughly modeled in relief in green glazed faience, found in the early temple at Abydos. Preceding his name, his address is given on this earliest of visiting cards, "Palace of the Aunu in Hermen city, Tera-neter." Hemen was the name of the god of Tuphium (Lanz., Dict, 544), 13 miles south of Luqsor. Erment, opposite to it, was the place of Aunu of the south, Aunu Menti. The next place in the south is Aunti (Gebeleyn), and beyond that Aunyt-seni (Esneh). The chief peculiarity of the figure is the droop of the chin; this is caused by a slanting jaw with short ramus. The same type of jaw is seen in the ivory king from Abydos, and moreover, the Scorpion king who preceded Nar-mer. These figures are, then, the precious portraits remaining of the native pre-Menite kings of the south, and they are of a type certainly different from the dynastic type of the square-jawed Nar-mer (Mena) and his follows. The difference of the slope of jaw in the Aunu people was illustrated by our researchers in the cemetery at Tarkhan. In dealing with the remains, the jaws were all photographed in position, and they show two groups of the slope of the lower edge as 20 and 28 to the horizontal. Now we can go a step further. On the big mace-head of the Scorpion king there are carved the standard figured. These emblems of Min and Set, with rekhyt plovers handing from them. The rekhytu people, however, were the special care of the dynastic race, protected by Aha and by Thetu. They were an organized rank ruled by a mayor in the Vth and VIth dynasties. The Scorpion king was, then, an enemy of the dynastic falcon, Horus. As we find the Aunu strong in the south, but the rekhytu strong in the north, it seems that the rekhytu came in with the dynastic invasion, entering the Nile valley at Koptos. Those who went south were attacked by the Aunu, and those going north founded a base at Heliopolis (Syro-Egypt, 2). The on pl. XXXVIII are arranges to show the difference of type between the Aunu; the dynastic people, the 1st dynasty in Sinai, the IInd dynasty, Khosekhem; the IIIrd dynasty, Sudany, Sanekht, and Zeser." Page 5 "Some of the most obvious public works of the Ist dynasty were the carrying on of earlier undertakings. The great historical maces, and the irrigation works, had been developed under the Scorpion king of the Aunu, and both may have originated much earlier. Many vases and bowls (HR, xii, xvii, xix, xxxiv) bear his name." Page 78 "Nar-mer Pallette. The principal monument of the first king Nar-mer (Mena) is the large slate palette (XL). This shows his capture of the "chief of the lake" (uo she), and the falcon holding 6,000 prisoners. Behind him is his body-servant," the rosette here, and elsewhere, being used for the king. The resemblance of the king on this palette to the sculptor's trial piece, or model shows that almost certainly to be the royal portrait. It was never part of a statute, being flat on the back and top; it seems to be a life-study as a model for future figures. It is accepted as the oldest portrait figure, by Michaelis, who notes the "astonishing acuteness of the racial type."