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Re: مداخلة (Re: Elmosley)
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Dear Musicians and audience: My regards to your argument. I have a few comments to both of you:
If the artist has done a great job producing his/her music or any kind of art, and the audience still feel there is something missing it means that there is something missing. And that is not a bad thing. on the contrary, I see that as a good sign for both. The thirst for more is a good sign; it means that the joy is not complete, and there is more space and room for fertile lands yet to be planted. The opposite is bordom and death. If everybody is satisfied with art; that means they are ready to die.
There is a blame that I would like to address here: I hold teachers and the accademics from the High institute of music responsible for public awarness of music. I believe that they did not work harder to establish an academic system that makes public learn music in their daily life. In the christian society, the public go to church and they learn to read the note as a daily act. Their love to music and appreciation to it comes out of knowledge and awarness. So I see the graduates responsible of teaching or etablishing ways and means to share thier knowledge with public and lead them to how to study music from simple resources and daily life acts. It is not hard. there is a further chance that this could be done in a board like this or paltalk. I see some egyptian music teachers do that there. Music is a dialy act in the Sudanese folk life, all they need is some effort "le fak el 7arif" to be put in a form and type.
Another point: I see a trend for monopoloy from the side of some of the musicians who are a High Inistitute of Music graduates.
I think some of them monopolize music awarness and knowledge. Sometimes they even monopolize appreciation. If the public love and like "whoever" singer, that is what the audience like, you can't come and tell them it is incorrect to like them. In music and singing there is a matter of like and dislike. it plays a major role in putting singers up and down everyday, you can see that here in America it is a "every second thing", No one should control that. Public has its own pains and hate and love, politics, society, economics, lots of things play a role in the public love and hate trends. History has kept Hitler and Moseleney in its records, so do not warry about history. Just warry about your honesty and faith to your art and audience.
Mosely has worked hard not only for his own production, but also for most of his musician friends porductions. He worked hard for better quality of audio records and better composition and arrangements. he has a good hand in cleaning "elkamanjat el waskhana" in the sudanese music. Hamza has said it better when concerned the traditional and the modern.
What would the musicians say about my points?
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العنوان |
الكاتب |
Date |
الموصلي * بعد الترحيب وبعد أن أصبحت عضواً فاعلاً في البورد _ أنت في قفص الإتهام | Habib_bldo | 06-01-02, 05:29 PM |
Re: الموصلي * بعد الترحيب وبعد أن أصبحت عضواً فاعلاً في البورد _ أنت في قفص الإتهام | Elmosley | 06-01-02, 07:32 PM |
اه يا استاذ | سلمبو | 06-01-02, 07:46 PM |
Re: اه يا استاذ | Elmosley | 06-02-02, 03:20 PM |
elmosely charges | Mutwakil Mahmoud | 06-01-02, 07:59 PM |
Re: elmosely charges | HAMZA SULIMAN | 06-01-02, 08:52 PM |
Re: elmosely charges | Elmosley | 06-02-02, 02:45 PM |
Re: elmosely charges | Elmosley | 06-02-02, 02:50 PM |
مداخلة | gessan | 06-01-02, 08:36 PM |
Re: مداخلة | Zaki | 06-02-02, 00:20 AM |
Re: مداخلة | Elmosley | 06-02-02, 02:38 PM |
Re: مداخلة | Tumadir | 06-02-02, 03:56 PM |
Re: مداخلة | Elmosley | 06-02-02, 02:46 PM |
Re: مداخلة | Elmosley | 06-02-02, 05:19 PM |
شكرا | Habib_bldo | 06-02-02, 05:49 PM |
الموصلي ..وكمان تماضر | gessan | 06-02-02, 07:59 PM |
Re: الموصلي ..وكمان تماضر | HAMZA SULIMAN | 06-02-02, 08:53 PM |
Re: الموصلي ..وكمان تماضر | Elmosley | 06-02-02, 09:29 PM |
Re: الموصلي ..وكمان تماضر | Zaki | 06-02-02, 11:00 PM |
Re: الموصلي ..وكمان تماضر | Tumadir | 06-03-02, 00:57 AM |
الأستاذة تماضر | gessan | 06-04-02, 08:17 PM |
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