Post: #1
Title: كاونتربوينت تمامة
Author: أبوبكر عباس
Date: 06-30-2017, 02:34 PM
01:34 PM June, 30 2017 سودانيز اون لاين أبوبكر عباس-الإمارات مكتبتى رابط مختصر بالرغم من أني حردان، والزول التعبان دا قفل البوست بتاع الكاونتربوينت، إلا أنني مجبور أنزل المداخلة دي وبعدها لن أعود، عليك الله، يا أبصلعة أقرأ المداخلة قبل سحب البوست:
أرسل حاتم لروبرت تعقيب بعد مداخلتي music is my live يوم حداشر ستة 2017 قائلا: Hi Bob Do those examples necessarily classify the Sonata K 545 as a contrapuntally composed piece؟
In other words, in what sense should those harmonic progressions be described other than counterpoint؟
Since Ref. http://livingpianos.com/general/what-is-counterpointhttp://livingpianos.com/general/what-is-counterpoint quotes:" These are not examples of counterpoint even though they are polyphonic (more than one note at a time)."
رد عليه روبرت يوم 26/6/2017:
Robert - host, on June 26, 2017 @11:39 am PST Counterpoint and harmony cover 2 different aspects of music. Harmony is the vertical rendering of chords. The way the individual notes within the chords progress linearly from one to the next involves counterpoint. Counterpoint is a deep subject. Simple 4-part harmony (as in Bach Chorale writing) is an example of counterpoint. Fugues are a more complex example of counterpoint. A melody played over chords (or broken chords as in alberti bass in Mozart) involves very simple counterpoint. It isn't really a good example of counterpoint since there is clearly a melody and harmony instead of equal voices. But technically it is a simple form of counterpoint. It's good to analyze and appreciate music for what it is rather than to get hung up on the words used to describe it.
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Post: #2
Title: Re: كاونتربوينت تمامة
Author: حيدر حسن ميرغني
Date: 06-30-2017, 03:14 PM
Parent: #1
كويس جدا كده الرمتالة لامكان لهم في هذه الحيطة :))
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