هل المكسيكية جوليا باستيرانا هي أقبح نساء العالم . صور

06:28 PM April, 16 2016

سودانيز اون لاين
Osman Musa-
مكتبتى
رابط مختصر

قام السيد تيودور لينت بتعليم جوليا باسترانا القراءة والكتابة والرقص، وأنجب منها طفلاً جاء مشابهاً لوالدته في الخصائص
الجينية المشوهة فمات بعد 3 أيام فقط من ولادته، لتلحق بعدها جوليا بابنها حيث وافتها المنية عن عمر 26 سنة متآثرة بمضاعفات ما بعد الولادة. .

From Wikipedia, the free encyclopedia
Julia Pastrana
Pastrana.JPG
Julia Pastrana, image from a 1900 book, showing her embalmed remains
Born 1834
Sinaloa, Mexico
Died 25 March 1860 (age 26)
Moscow, Russian Empire
Cause of death Metro-peritonitis puerperalis
Other names Bear Woman, The Apewoman, The Nondescript
Ethnicity Paiute[1]
Height 4 ft 5 in (1.35 m)
Spouse(s) Theodor Lent (m. 1857)
Children 1 son
Julia Pastrana (1834 – 25 March 1860) was a woman born with hypertrichosis, who took part in 19th-century exhibition tours in North America and Europe. Pastrana, an indigenous woman from Mexico, was born in 1834, somewhere in the Sierra of Sinaloa State.[2] She was born with a genetic condition, hypertrichosis terminalis (or generalized hypertrichosis lanuginosa[3]); her face and body were covered with straight black hair. Her ears and nose were unusually large, and her teeth were irregular. The latter condition was caused by a rare disease, undiagnosed in her lifetime, Gingival hyperplasia, which thickened her lips and gums.[3] Charles Darwin described her as: "Julia Pastrana, a Spanish dancer, was a remarkably fine woman, but she had a thick masculine beard and a hairy forehead; she was photographed, and her stuffed skin was exhibited as a show; but what concerns us is, that she had in both the upper and lower jaw an irregular double set of teeth, one row being placed within the other, of which Dr. Purland took a cast. From the redundancy of the teeth her mouth projected, and her face had a gorilla-like appearance".[4]

Contents [hide]
1 Life and career
2 After death
3 Theater
4 Film
5 Music
6 Notes
7 References
8 External links
Life and career[edit]
Pastrana was advertised as a hybrid between an ape and a human, and as a "Bear Woman". She was examined several times to dispel the assumption that she was of African descent. One doctor, Alexander B. Mott, M.D., certified that she was specifically the result of the mating of a human and an "Orang hutan".[5] Another, Dr. S. Brainerd of Cleveland, declared that she was of a "distinct species".[6] However, Samuel Kneeland, Jr., a comparative anatomist of the Boston Society of Natural History, declared that she was human and of Indian descent.[7] Francis Buckland stated similarly that she was "only a deformed Mexican Indian woman".[6]

Theodore Lent (also known as Lewis B. Lent) discovered her and purchased her from a woman who might have been her mother. Lent taught her to dance and play music and took her on a worldwide tour with the name "Bearded and Hairy Lady". She learned to read and write in three languages. Pastrana married Lent and later became pregnant.

During a tour in Moscow, Pastrana gave birth to a baby with features similar to her own. The child survived only three days, and Pastrana died of postpartum complications five days later.

After death[edit]
Lent did not abandon the tour; he contacted Professor Sukolov of Moscow University, had his wife and son mummified and displayed them in a glass cabinet. He later found another woman with similar features, married her and named her Zenora Pastrana, becoming wealthy from her exhibition. He was eventually committed to a Russian mental institution in 1884, where he died.

The mummies disappeared from the public view. They appeared in Norway in 1921 and were on display until the 1970s, when an outcry arose over a proposed tour of the USA, and they were withdrawn from public view. Vandals broke into the storage facility in August 1976 and mutilated the baby's mummy. The remains were consumed by mice. Julia's mummy was stolen in 1979, but stored at the Oslo Forensic Institute after the body was reported to police but not identified. It was identified in 1990 and has rested in a sealed coffin at the Department of Anatomy, Oslo University since 1997. In 1994, the Norway Senate recommended burying her remains, but the Minister of Sciences decided to keep them, so scientists could perform research. A special permit was required to gain access to her remains.[2]

On 2 August 2012 it was reported in Aftenposten that Pastrana would finally be buried in Mexico at an unspecified date.[8] In February 2013, with the help of Sinaloa state governor Mario López Valdez, New York-based visual artist Laura Anderson Barbata, Norwegian authorities, and others, the body was turned over to the government of Sinaloa and her burial was planned.[3] On 12 February 2013, hundreds of people attended her Catholic funeral, and her remains were buried in a cemetery in Sinaloa de Leyva, a town near her birthplace.[9]

Theater[edit]
A musical Pastrana by Australian writers Allan McFadden and Peter Northwood was performed by Melbourne's Church Theatre in 1989.[10][11] The production was nominated for five Melbourne Green Room Awards.

A play based on Pastrana's life, The True History of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World (1998) was written by Shaun Prendergast. A 2003 Texas production of the play staged by Kathleen Anderson Culebro, sister of Laura Anderson Barbato, led to the campaign by Barbato to repatriate Pastrana's remains from Norway to Mexico.[3]

Film[edit]
Marco Ferreri's film The Ape Woman (1964) is based on Pastrana's life story.

On 14 October 2013 the in-development movie "Velvet" was announced, based upon the life and experiences of Julia Pastrana, and from an original screenplay by Celso García and Francisco Payó González. "Velvet" is directed by Celso García and is an international production with the support of various personalities behind and in front of the camera. The announcement appeared in an article published in Mexican newspaper "Mural", member of the editorial group Reforma.

( منقول )
وح أحاول أنقل صورتي مع تمثال السيدة جوليا باستيرانا .

في التاريخImage captionكانت جوليا باسترانا مصابة بمرض فرط نمو الشعر.كانت جوليا باسترانا التي ولدت عام 1834 تعاني من مرض" hypertrichosis" ويعني فرط نمو الشعر، حيث يسبب النمو الزائد لشعرها في تغطية وجهها بالشعر، إضافة إلى أنها كانت تعاني في بروز الفك، وبسبب شكلها كان يطلق عليها المرأة الدب أو المرأة القرد.

https://www.google.com/url؟sa=iandrct=jandq=andesrc=sandsource=imagesandcd=andcad=rjaanduact=8andved=0ahUKEwia3YTEhpTMAhXEdj4KHWnPDzMQjRwIBwandurl=http%3A%2F%...ust=1460926781420403

عزيزنا جلادونا
سلامات
ألف شكر علي جلب صورة السيدة جوليا .
قالوا يا جلادونا في سنين نهايات الاربعينات كانت أفلام جوليا هي الشغل الشاغل .
وكتير من الناس بتفتكر أنو ده هو شكل السكان الهنود الأصليين في مناطق جبال الروكي وفي كل الأراضي
الأمريكية من الحدود الكندية في الشمال وحتي بنماء .

مرحب عثمان موسى،

إذا كانت الصورة حقيقية أو رسم يمثل الحقيقة، فالشئ الوحيد الغريب هو اللحية في وجه سيدة.

فيما عدا ذلك، التفاصيل الظاهرة في هذه الصورة لسيدة جميلة (الصدر والخصر).

طبعاً هذا رأيي الشخصي، وهو يقودنا إلى:- إلى أي مقاييس استند من نعتها بأقبح إمرأة؟

عزيزي محمد أبوالريش
سلامات
الصورة حقيقية نفس التمثال الموجود في المتحف .
و حتي الأن صور قص شعر جوليا موجود في مجلات الموضة .
و أفلام وقصص وحكايات عنها و عن أصلها الهندي .
تحياتي

عزيزنا عثمان وضيوفه الأفاضل
تحياتي
كان عندنا استاذ في الثانوي العالي لديه مقولة مازالت راسخة في أذهاننا ألا وهي: كل أنثي وايا كانت درجة جمالها أو قبحها، فهي قادرة أن تأسر رجلا بعينه ".

محبتي